Week 1 – Day 2: [note: numbers refer to pages in the text; if a
word, phrase, section is bold faced,there is a chance it will appear on the
Quiz over composition]
In the best of all possible
worlds, we will use the online resources provided by Bedford/St. Martin. These
are listed on the sidebar of the blog. If we do not have time in class, please
explore them and the website on your own; it could be of great benefit to you.
Most of the videos are five minutes or less.
11- The Writing Process –
familiar to almost everyone; key word: RECURSIVE
– “a procedure that can repeat itself indefinitely”
13 – Reading to Write: Becoming a
Critical Reader [same thing as an active, smart or mindful reader]
Don’t
assume the conversation is one way; it should be YOU need to think about
what the writer says and decide for yourself whether you agree or disagree;
determine what questions you have; do NOT be afraid to question, to think. Do
NOT close your mind.
If you think when you read, if
you’re more aware; if you’re involved in
the text that you READ; you will be more
involved with the text that you write.
15 – Note All the various
clues your book suggests could make you
more alert—visual and verbal signals
23 – annotate!!!! – make notes . . . in the text, in a notebook,
on a computer . . . one author suggests a “T” Journal:
Quote, summary,
paraphrase, page # YOUR response/reaction to the
item in text
Discussion: “READING” refers to visual texts as well;
note the tatoo on page 27, and those on 226
YOU MUST USE INFERENCE and critical thinking to get the most out of either
reading assignment.
29 – Invention
29 – understand the assignment
30 – length – a minimum of two
typed, double-spaced pages
30- purpose
31 – audience & occasion
32 – knowledge – both yours AND
your audience
34 – unless otherwise specified,
all papers should move from GENERAL to SPECIFIC, especially the one on example
34 – 35 – if you have trouble
developing your ideas, consider the “Questions for Probing” on these pages
Both the book and video suggest
various ways of getting started on an essay: brain storming, free writing, clustering,
outlining. USE WHAT WORKS FOR YOU. Remember, though, that the initial start is
not necessarily the final draft.
43 – follow the diagram on page
43 to structure your papers
44 – 47 – thesis statement should
come in the first paragraph, but it SHOULD NOT be the first sentence. A good thesis statement should clearly identify the main idea of the paper, indicate the
essay’s purpose, and be very explicit and direct. After reading the first
paragraph, the reader should know exactly what the essay will discuss. A title is NOT the same as a thesis.
Unless otherwise indicated, all thesis statements in 1101 should be
EXPLICIT.
51 – Arrangement – 53-54:
Strategies for beginning an essay
An introduction should get the reader’s attention, provide any
necessary background information, lead into the thesis statement.
55- What NOT to Do in an Introduction !!!!!
56 – Body Paragraphs should be unified, coherent, and well
developed. All should be directly
related to the thesis statement and yes, Virginia, they should have a topic sentence that is deliberate and
clear. BTW: three sentences does not make for a well-developed paragraph
unless you’re in middle school.
58 – types of support that may be
used to develop your paragraphs are listed
60-61 – strategies for your
conclusion are suggested
*
211 – “Exemplification uses one or more particular cases, or examples, to
illustrate or explain a general point or an abstract concept”
Why begin with exemplification? –
see pages 212-213
213 – “The thesis statement of an
exemplification essay . . . .”
214-215: Provide Enough Examples;
use a “fair range” of examples; USE EFFECTIVE TRANSITIONS
215-216 – How to structure an
exemplification essay
READING ASSIGNMENT:
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